|
| 1) |
|
Bento
Food decorated to look like people
|
| 2) |
|
James Bond Islands
The artist uses computers to edit his pictures, and creates art in a larger space than the subject photographed
|
| 3) |
|
Highway Overpasses, 2008
The artist is inspired by urban geometry. She paints large-scale scenes which distill architecture into lines, planes, and colors.
|
| 4) |
|
Joghurt
|
| 5) |
|
Flower
Japanese erotic photographer
|
|
|
| 1) |
|
art
|
| 2) |
|
James Bond Islands
The artist uses computers to edit his pictures, and creates art in a larger space than the subject photographed
|
| 3) |
|
Maskierung by Eberhard Havekost
|
| 4) |
|
Will Cotton creates paintings of eroticized sweets and desserts. He has a professional oven in his studio and makes all of these himself. Then uses them as models for the paintings.
|
| 5) |
|
F111 by James Rosenquist
|
|
|
| 1) |
|
Bento
Food decorated to look like people
|
| 2) |
|
James Bond Islands
The artist uses computers to edit his pictures, and creates art in a larger space than the subject photographed
|
| 3) |
|
Highway Overpasses, 2008
The artist is inspired by urban geometry. She paints large-scale scenes which distill architecture into lines, planes, and colors.
|
| 4) |
|
Flower
Japanese erotic photographer
|
| 5) |
|
Joghurt
|
|
|
| 1) |
|
art
|
| 2) |
|
James Bond Islands
The artist uses computers to edit his pictures, and creates art in a larger space than the subject photographed
|
| 3) |
|
Maskierung by Eberhard Havekost
|
| 4) |
|
Will Cotton creates paintings of eroticized sweets and desserts. He has a professional oven in his studio and makes all of these himself. Then uses them as models for the paintings.
|
| 5) |
|
F111 by James Rosenquist
|
